I made this film in 1981. It's all in-camera effects shot either in time-lapse or overcranked. I initially intended it to be a silent film but my brother had the album AFTER THE HEAT and I edited the shots to the track OIL. The track worked out so well with the visuals, I contacted Eno's label to request permission to use it, and was asked to send them a copy of the film so Eno could see it. I subsequently got permission and Mr. Eno was kind enough to send me a personal note letting me know how much he enjoyed it. How cool is that?